Etichetta: Cannes

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Titane may not have been the best film at Cannes, but it had guts, drive – and an anthro-automotive hybrid devil child

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Cannes let rip a punk power chord of glorious mischief by giving the Palme d’Or to Julie Ducournau’s gonzo genderqueer body-horror shocker Titane, and the jury and the movie’s many fans will have savoured the deliciou...

Cannes 2021: Titane didn’t deserve the Palme, but it had guts, drive – and an anthro-automotive hybrid devil child

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Cannes let rip a punk power chord of glorious mischief by giving the Palme d’Or to Julie Ducournau’s gonzo genderqueer body-horror shocker Titane, and the jury and the movie’s many fans will have savoured the deliciou...

Cannes Palme d’Or goes to female director for only the second time

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Serial killer odyssey Titane has won the Palme d’Or at the Cannes film festival, making Julia Ducournau the second female filmmaker to win the festival’s top honour in its 74-year history. The win was mistakenly annou...

Cannes 2021 week two: heatstruck delirium and instant classics

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The pandemic hits Cannes in the form of a movie that plays near the beach, buffeted by strong winds. On screen, the people are sickening by degrees. They’re coughing on commuter buses and sidestreets and in the musty,...

Cannes 2021: who will win the Palme d’Or – and who should

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So it actually happened – the Cannes film festival defiantly took place in the era of Covid, and two months later than usual, in sweltering July. More tourists, but fewer actual festival-attenders from the media. Some...

Cannes diary: cows, cuts and how a doctor starred with Deneuve

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British director Andrea Arnold has given a glimpse of her bad experience making the second season of the hit US TV drama Big Little Lies, confirming the hard time she had during editing. “I learned a great deal,” said...

Cannes 2021 week one roundup: saliva tests and strange visions

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Periodically I’ll have an anxiety dream about Cannes. One night I’ll dream that I’ve somehow brought the wrong pass, another that I’m triple-booked, running late and lost inside the Palais. All of which is perfectly u...

Annette review – Adam Driver magnificent in wild Cannes opener

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Leos Carax is the sly anarchist of French cinema whose sorties are sadly few and far between. Now he has broken cover with this barking mad fantasia, an almost entirely sung-through musical tragedy created with Ron an...

Cannes: Joanna Hogg and Clio Barnard to premiere new films in Directors’ Fortnight

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The Cannes film festival has completed its lineup with the announcement of the selections for the Directors’ Fortnight, the separate strand that runs alongside the official festival and the Critics’ Week. Highlights o...

Cannes makes up for lost time with a thrilling auteur-packed lineup

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Così, after its unprecedented break last year, Cannes is back, like Euro 2020, although this is, ovviamente, a whole new set of fixtures. Last year’s notionally selected films were simply allowed out on to the world’s st...