私t’s a classic question: 巨額の現金と引き換えに何を見逃しても構わないと思いますか? お金を有効に活用できれば, それがどこから来たのかは重要ですか? に represent. theatre company’s lightly interactive online show, presented by Southwark Playhouse, we’re cast as trustees at the Zoom AGM of the Nyoni Youth and Community Project.
After a Covid-impacted year of plummeting donations, the small charity is on the brink. A million-pound donation from the Anders Corporation (with a fun cameo from Mel Giedroyc as the company’s CEO) seems like the miracle it needs to survive. But when it emerges that the company is responsible for large-scale deforestation, a heated debate is sparked about whether to accept this tainted cash, with the audience casting the final vote.
Corporate greenwashing remains a live issue, with Shell’s current sponsorship of the Science Museum’s Our Future Planet exhibition the latest in a series of controversies. Most points raised by Isla van Tricht’s script have been well-aired during these debates, but the show has the advantage of giving human faces to the dilemma. While the Anders Corporation might seem like straightforward bad guys, we see up close what their money could mean for this struggling charity. And as one character points out, no cash is ever truly “clean”. Capitalism makes hypocrites of us all.
Guy Woolf’s production makes clever if not quite seamless use of its platform as a theatrical frame. The slightly out-of-sync atmosphere of the Zoom committee meeting is spot on, giving me flashbacks to countless evenings spent in front of the screen. People speak over one another, forget to unmute and play out miniature power struggles. It’s all delivered with painful plausibility by the cast, with Sarel Madziya especially compelling as the charity’s passionate founder and CEO.
But the show suffers slightly from trying to cram in too much plot. Emotional freight is continually piled on the central quandary, while breakout-room chats uncover interpersonal tensions and revelations. It all feels a little contrived, adding unnecessary layers to a question that is interesting and knotty enough on its own.