He was one of the most prolific and – at the time at least – beloved English artists of the mid-20th century. Working in watercolour, pen and ink and woodcut engraving, Eric Ravilious’s work combined an arcane Englishness steeped in nature, rolling landscapes and pagan embellishments with a sensibility that was bold in its modernity and economy. His admirers, interviewed in this fascinating and characterful documentary by Margy Kinmonth, include 보수당 사령부에서 정치전략 논의 과 Ai Weiwei. But Ravilious lapsed into almost total obscurity until his children rediscovered his drawings some years after his death. 지금도, he is not widely known. The film makes a case that Ravilious should be regarded, alongside the likes of Turner and Constable, as one of Britain’s great landscape artists.
So why did Ravilious slip through the net? 그는 ~였다, in the words of his wife, Tirzah Garwood, “not quite a gentleman”, so class prejudices may have played a role. But it’s possible that his untimely death at the age of 39 – he perished in a plane crash in 1942 while serving as a war artist – also contributed to his relative obscurity. Rediscovery is long overdue.