Reseña del festival internacional infantil de Edimburgo: un derroche de color y emoción

There’s a video for delegates to the Edinburgh international children’s festival showing a primary-school class responding to Katy Wilson’s film Mixed Up (5 y 6 junio). La película en sí es una delicia.. Choreographed by Ashley Jack, it’s a sequence of street dances performed by Gabriele Bruzzese and Ursula Manandhar. They switch between loneliness, joy and introspection as swiftly as the soundtrack moves from hip-hop to disco.

mientras tanto, artist Ursula Cheng plays with swirls of turquoise and orange paint to create patterns recalling a Damien Hirst spin painting. She also superimposes pulsating animations that have the appealing simplicity of Keith Haring’s squiggles. Adding to the sensory collage is Bigg Taj with his dextrous beatboxing.

Screening for free at the weekend, Mixed Up is part of a schools package designed to get young audiences expressing themselves in abstract colours and shapes. The delegate-only video shows what an insinuating effect the film has: more eloquent than any round of applause is the riot of chalk lines that explodes across the school playground in a matter of minutes.

Mixed Up is about validating emotions, something also central to The Super Special Disability Roadshow (Hasta que 6 junio), a characteristically funny and provocative performance by Robert Softley Gale for Birds of Paradise. Wearing an unseemly clash of brightly coloured T-shirts and caps, he and composer Sally Clay play long-in-the-tooth theatrical activists who have decided to embrace the modern age by bringing in “two new disability experts” on Zoom.

Representing the voice of the young audience, Oliver Martindale and Oona Dooks show limited tolerance for the older generation’s disability politics, although they have their own thoughts about a world poorly designed for their needs.

Joe Douglas’s production switches merrily in tone, a collision of memories, bickering, songs, animations, jokes and serious commentary. The variety of styles reflects the range of experiences of disability, from the blind child finding herself friendless in the playground to the parent with cerebral palsy looking after twins. One in five of us is disabled, so there is no such thing as one size fits all. If that complicates matters, Dooks shows the real wisdom: “If we talk to each other then we understand each other.”

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